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| Hi-Fructose Vol. 18 Cover, “In the Teeth of Stupefying Odds” Wood, paint and nails. 48” x48” |
When I saw the cover of
Hi-Fructose Vol. 18 it immediately reminded me that I had seen AJ Fosik’s work before...Several times in fact but probably most notably at
Fecal Face Dot Com ages ago. I always mean to take note of the visual artists that intrigue me but somehow usually forget to...
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(above left) “To Save All, Risk All” Wood, paint and nails. 40” x 24” x 15”
(above right) “Thaumaturgic Bull” Wood, paint and nails.30” x 27” x 18" |
While I had initially been fascinated by his bright, hypnotic, folky mounted heads (which to a certain extent remind me of the imagery of dragons and fanciful creatures that punctuate many culture’s mythology and also the style of Japanese woodblock prints) I was a little bit taken aback with how Lainya Magaña’s introduction, in Hi-Fructose, described what his work represents: “Fosik’s feral creations take the shape of fantastic or true animal beings that communicate a subversive, anti-religious commentary through the depiction of hyperbolized fictional gods.” There is a connection I certainly wasn’t in any rush to see.
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| Wood, paint and nails. 2008 |
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| “As Good as Any God” Wood, paint and nails. 2009 |
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| “Untitled Head” Wood, paint and nails. 2009 |
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| “Being in so far as being goes” Wood, paint and nails. 2009 |
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| “Self Portrait” Wood, paint and nails. 2008 |
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| "One Hundred Percent Savage” Wood, paint and nails. 2009 |
It certainly seems like his motivations are evolving with his work (perhaps in direct proportion to his notoriety). I do sometimes wish I wasn’t motivated to find out more about the visual artists I enjoy, e.g. Shepard Fairey.
I do however like the “distinctly American quality to the three-dimensional ursine beasts...that Fosik has poured out over the last years.” Especially as Swindle Magazine continues on to say: “But ‘American’ can be a challenging feeling to articulate, however much one knows it when they see it."
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| Above Photos of AJ Fosik in his home by Alex Lukas via Fecal Face Dot Com |
It’s not so much of a stretch to see “familiar cultural icons and traditions are re-configured, confronting the viewer with cryptic symbols from overlapping sources,” as described by
Pictoplasma.
::sigh:: It’s just I really enjoy this imagery...oh well.
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| “Make It Well” Wood, paint, nails. 20” x 36” x 13” 2010 |
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